April 6, 2012 by Jeff Hurt
Registration, room-blocks, ground and air transportation, accommodations, food, beverage, contracts, speakers, insurance, decor, meeting space, room capacities, ballrooms, schedules, room layouts, floor plans, contractors, union labor and much, much more.
These are just some of the ingredients needed to put on a great meeting. Of course, we can’t forget that we need attendees, speakers, sponsors and exhibitors too!
Often meeting professionals get so consumed with all the details that we forget the main purpose of the meeting: the attendees. All of the logistics are there to serve as a tool for the attendee’s experience.
One of the most important details is the audiovisuals (AV). And it’s often the area meeting professionals know the least about, unless they have a production background.
AV serves as a major conduit between the presenters and the audience. Without it, the audience has difficulty hearing and seeing.
In recent years, AV has become increasingly sophisticated and complex. Companies release new AV technologies and tools on a regular basis.
Similarly, audiences’ expectations for high-tech AV have increased. Since most of them carry high-tech mobile devices, they’ve grown accustomed to expecting the same or better in our meetings.
Here are 11 tips to consider when negotiating your meeting’s AV.
Concentrate on what you what to happen with AV. Share your budget parameters and let your AV partner propose solutions that give you the most for your money. Ask for an estimate that includes good, better and best options that meet your meeting goals.
This cuts down on setting up and tearing down equipment as well as labor costs.
Sometimes you can get better rates in the summer months as the demand is lower. When you utilize the same equipment in a meeting room on multiple days, discounts should follow.
Frequently, if you contract your AV vendor for multiple events and/or years, they will give you a significant discount from their prices. I used to secure my AV vendor for three years with a 30% discount on equipment rental fees. My agreements always gave me an option to cancel.
Set up takes two to three times longer than strike labor. The AV team needs to test, adjust and retest equipment.
If you bring in your own AV provider, an in-house preferred supplier may want five percent for lost opportunity because you didn’t use them.
These are negotiable and often overlooked.
Keep the projector on the floor for smaller audiences and consider rear projection. It’s more expensive to fly the equipment on lifts from the ceiling.
Ask for a guarantee that the final bill will not exceed the estimate by more than 10 percent without authorized changes.
Don’t be afraid to ask for something free or greatly discounted if the AV company is making additional money from exhibit orders. Some AV companies will offer you a rebate on exhibitor orders.
Don’t expect cutting-edge technology for overhead projector prices.
What AV negotiation tips would you add to this list? What are some cool AV technologies that you’ve used recently?
Filed Under: Event Planning
I take exception to the picture that you carefully chose for your article. It is offensive to the AV community. Are we to take from this that you believe we are all weasels?
MMB III AV
MMB III AV:
This is a volunteer room monitor weasel, surely not an AV professional. No offense intended.
Thank you for the great information on audiovisual effects and negotiating techniques. It is interesting to think that you should focus on the strategic goals rather than the specific equipment that you need. This information would be perfect for anyone who might be renting any kind of equipment for a big party that needs audiovisual effects. I still remember my daughter’s wedding, we had to meet with some people and discuss the teardown costs — it was a good time.
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